Crane song phoenix demonoid
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If you have any specific questions just shout. Product information 'Crane Song Phoenix TDM Plug-In' PHOENIX is a TDM plug-in suite for Pro Tools HD that is designed to put analog color into the digital domain by increasing apparent loudness without increasing gain (e.g., by modeling analog tape compression). JON THORNTONgets all cosmic with talk of Luminescent, Iridescent, Radiant, Dark Essence and Luster. It's definitely one of my top five plugs for HD. Crane Song Phoenix It’s one for all those Pro Tools users who have never even sniffed analogue tape it’s a tape emulation plug-in.
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In Phoenix II, Dave Hill's decades of engineering and recording experience come together to give you an entire suite of super-realistic tape-emulation modes. Similar magnetic character to Luminescent, but with a fatter bottom and midrangethis plugin is the most similar to the tape knob on HEDD-192. Crane Song Phoenix II (Electronic Download) AAX plug-in brings Dave Hill's world-famous tape emulation to both DSP-accelerated and native Pro Tools systems. The next-gen Crane Song Phoenix II being one of them For years, Crane Song’s Phoenix plug-in has been renowned to top mixes off with its unique properties of a magnetic tape machineso long as you had a Pro Tools rig that could support the original TDM format. The most neutral sounding process of the five separate flavors.
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Phoenix II is an update of Crane Songs suite of TDM plug-ins designed to emulate the unique properties of a magnetic tape machine.
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I do know that I prefer to mix with it than without and I find it helps in getting a mix to gel.Īll in all I don't think it's the silver bullet that some feel it is (I don't believe in those anymore) but I am happy I have it and feel that it is well worth the asking price. Phoenix II uses 32-bit floating point math and has a lower noise floor than the original release. Recommended for you Check out our recommendations for this collection, hand-picked by our editors 368 item. Crane Song Phoenix Ii Cracked > descargar pes 6 con crack icrack para traktor scratch pro 2i refx. I started recording on ADATs about 9 years ago so I'm a digital kid. It's sound varies as you hit it harder.Īccording to Cranesong it is designed emulate the sound of analogue tape, I have absolutely no idea if it suceeds in that regard as I have no experience with good analogue. I turn the knob to about 9 or 10 o clock and build the mix with it. In a rock mix I will insert a Phoenix accross the mix bus and set it to Luminescent which is the most neutral sounding process of the five available. It seems to pay its biggest dividend when you take the mix out of the studio and onto something like a boombox - it seems to help the track jump out of the smaller speakers. I rarely use it on acoustic instruments such like guitar or piano - it seems to add an obvious distortion that I don't like (other's may disagree). The Phoenix is very useful on anything on the rock and roll side of the fence such as the obvious drums, bass, electric and vocals with attitude.
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I hear a sort of strident quality in the mix if I use the inflator on more than a few sources in the mix. FWIW I prefer it to the Sony Inflator (which you may have experience of). It's quite seductive at first and I used a little too much of it on my first few mixes but I think I've settled into a groove with it.